Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more
This sampler features a lion, a camel, and large colorful flowers. The design was stitched over 2 threads on 40 Ct. linen and is suitable for all skill levels. The stitch count for each design is 244 W x 230 H. The finished piece will measure approximately 12-1/2″ x 11-1/2″.
This 19th century American reproduction sampler features a brown bird on a tree branch. Rated for beginners. Model stitched on 35 count hand dyed linen using either cotton or silk thread. Two versions of the sampler graph have been furnished: one executed with a drawn partially freehand split and... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton... Read more
Note from the designer - "This picture was originally designed to be used as a cushion or footstool cover, or perhaps as a decorative vignette inserted into the top of a wooden box for storing precious objects. Executed entirely in cross stitch, its most prominent characters are a large squirrel... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
Amelia Boyce's pictorial sampler demonstrates two popular art forms of the early 19th century manifested in the sampler mode: the image of an architectural engraving, and the influence of Berlin patterns in the naturalistic (rather than nave or stylized) floral patterns. A widely mixed floral... Read more
Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more
Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more
This English sampler was made in Sheffield, South Yorkshire, featuring the Sheffield General Infirmary, a verse, a fashionably dressed man and woman, and a collection of animals in the lawn in front (sheep, fox, squirrels, rabbit, dog), all surrounded by a four sided berry border.
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "The flight into Egypt is a biblical event described in the Gospel of Matthew. Soon after Mary and Jesus were visited by the Magi, who had learned that King Herod intended to kill the male infants in that region, an angel appeared to Joseph in a dream telling him to flee... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more
This is a reproduction of an antique European sampler, circa 1790. Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and DMC floss. Stitch Count: 326W x 186H. Finished size: 16 1/4" x 9 1/4".
This is a reproduction of an antique English sampler made by Hannah Hammond in 1845. Model stitched over 2 threads on 32 Ct. Cocoa linen with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 192W x 206H. Finished size: 12" x 12 3/4".
This is an adapted reproduction of an antique English sampler, dated 1790. The sampler was embroidered by Maria Cooper in Hambledon.
The model was stitched over 2 threads on 40 Ct. Grey linen by Weeks Dye Works with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 361W x 405H. Finished size: 18" x 20 1/4".
Reproduction of a lovely and colorful Scottish Sampler. The model was stitch over 2 threads on 40 Ct. Cocoa linen by Weeks Dye Works with Classic Colorworks floss, The Gentle Art Sampler threads, Weeks Dye Works floss and DMC floss. Stitch Count: 209W x 269H. Finished size; 10 1/2" x 13... Read more
The model was stitched over 2 threads on 40 Ct. "linen" colored linen from Weeks Dye Works with Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 318W x 350H. Finished size: 16" x 17 1/2". Specialty stitch used - Satin Stitch.
The model was stitched over 2 threads on 35 Ct. Beige linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 180x158. Finished size: 10"x9".
The model was stitched over 2 threads on 40 Ct. Parchment linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 162x153. Finished size: 9" x 8.6".
The model was stitched over 2 threads on 35 Ct. "linen" colored linen from Weeks Dye Works with DMC floss. Stitch Count: 292W x 311H. Finished size: 16 3/4" x 17 3/4".
"The last great day is drawing nigh when Christ the judge shall come with all the armies of the sky to call His children home."
Model stitched over 2 threads on 35 Ct. Beige linen from Weeks Dye Works with Gentle Art Sampler threads. Stitch Count: 259 x 240. Finished size: 15" x 14".
The model was stitched over 2 threads on 36 Ct. Cocoa linen by Weeks Dye Works with DMC floss. The stitch count is 152W x 240H for a finished size of 8.5" x 13.5".
A schoolgirl sampler that exemplifies the distinctive style indicative of the Mary Balch School, from the architectural arrangement to the moral sentiments expressed right down to the authentic stitches used.
This design appeared in Treasures in Needlework: Spring 1993, Vol. II, No. 1 and... Read more
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Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
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