Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more
Note from the designer: "This band sampler was designed after a piece in the collection of the Fitzwilliam Museum, most remarkable for the colorful, solidly filled geometric and floral sections. It also features double running stitch sections found on Italian embroideries of the sixteenth and... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
This sweet little American sampler features two little houses above alphabets and a short verse:
Would you be wise
Each moment prize
It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more
Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
This sampler features two uncommon verses taken from the book Sentences and Maxims Divine, Moral and Historical, in Prose and Instruction of Human Life: and Particularly for the Improvement of Youth in Good Sence and correct English by George Shelley, published in London in 1712.
"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
"Surely goodness and mercy shall follow me all the days of my life and I will dwell in the house of the Lord ever. Charlotte Frost's work aged 11 years 1846".
Model stitched over 2 threads on 37 Ct. Corn Tassle linen with Needlepoint Inc silk. Stitch Count: 275W x 249H. Finished size: 15" x 13.5".
Model stitched two over two on 40 Ct. Espresso from R&R Reproductions using Classic Colorworks and DMC floss. Stitch Count: 426W x 186H. Design Size: 21 1/4" x 9 1/4"
Chart recommends 32 count linen and DMC floss, but you can stitch on any fabric of your choice! Stitch count is 630 x 390. Fabric size needed 45 inches x 31 inches. Finished size is 39.38 in wide X 24.38 in high.
Pattern by Pineberry Lane features an antique sampler reproduction and pinkeep pattern from a young girl named Sarah Platt originally stitched in 1811.
Model stitched over two on 36 Ct. linen using Weeks Dye Works and Gentle Arts threads. Stitch count: 102 x 151 and the finished size is 5.67" x 8.39".
"Live in peace with all men" Model stitched on 32 Ct. Old english Linen from Niky's Creations using weeks Dye Works (or all DMC floss 610, 948, 319, 311, 3371). Stitch count is 206W x 110H.
Model stitched one over two on 40 count Vintage Meadow Rue linen using Au ver a Soie d'alger silks. Stitch count is 307W x 276H. Design size is 17.06" x 15.33"
Model stitched on 40 Ct. Sand Dune using Soie d'Alger. Specialty stitches used are satin stitch and eyelets. Stitch count is 333W x 386H. Design is 16.65" x 19.3"
Model stitched on 46 Ct. Cocoa Linen by Weeks Dye Works with Needlepoint Inc. floss. Stitch count: 244 x 290. Finished size is 10.61 in wide X 12.61 in high.
Model was stitched on 52/60 Ct. Sycamore Seedpod linen by Legacy Linen, using Soie Surfine 2681. You can use whatever fabric you prefer, with whatever shade of red you'd like! The chart recommends Soie d'Alger 936 or 945, Soie 100.3 335 (previously 2646), 499, 500 or 779 OR Soie Surfine 2681... Read more
Model stitched one over two on 40 Ct. Buttercream from Lakeside Linens using Classic Colorworks, Gentle Art Sampler Threads and Weeks Dye Works. Stitch Count: 205W x 270H. Design Size: 10.25" x 13.50"
"She looketh well to the ways of her household and eateth not the bread of idleners." Model stitched on 30 count Cocoa Linen by Weeks Dye Works with Classic Colorworks Belle Soie. Stitch count: 132W x 144H.
Model stitched on 30 Ct. "Linen" by Weeks Dye works with Gentle Art Sampler threads (or DMC 844, 975, 640, 738, 310, 611). Stitch Count: 133W x 193H. Design Size: 9" x 13".
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 931, 3752, 720, 321, 498, 3051, 3012, 3011, 3047, 676, 372, 801, 434, 224, 315, 778). Stitch Count: 261x302. Finished Size on 32 Ct. fabric: 16" x 19"
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 720, 554, 3753, 932, 3348, 3346, 745, 725, 945, 948, 818, 3831, white, 822, 369, 3756, 435, 801, 738, 310, 3865). Also required, but not listed above 3712 from Au Ver a Soie Soie d'Alger. Stitch Count: 271x214. Design Size on 32 Ct. Fabric: 17" x 13"
Model stitched on your choice of fabric using Soie d'Alger (or DMC floss 815, 3765, 3822, 754, 3712, 3328, 552, 154, 3042, 648, 319, 840, 839, 434). Also required, but not listed above (2) #3316 and (1) #3322 from Soie d'Alger. Stitch Count: 445x432
Model stitched on your choice of fabric using Soie d'Alger (or DMC floss 3753, 931, 3743, 155, 372, 524, 522, 3052, 3772, 223, 778, 316, 3726). Also required, but not listed above #3712 from Soie d'Alger. Stitch Count: 232x228.
Model stitched over 2 threads on 35 Ct. Beige linen with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 198W x 127H. Finished size: 11 1/4" x 7 1/4".
This is a reproduction of an antique European sampler, circa 1790. Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and DMC floss. Stitch Count: 326W x 186H. Finished size: 16 1/4" x 9 1/4".
Model stitched over 2 threads on 40 Ct. Beige linen with Weeks Dye Works floss, Gentle Art Sampler threads and Classic Colorworks floss. Stitch Count: 306W x 383H. Finished size: 15 1/4" x 19 1/4".
"When wealth to virtuous hands is given it blesses like the dews of Heav'n. Like Heav'n it hears the orphan's cries and wipes the tears from widow's eyes. Jane Southward wrought this in the eleventh year of her age. A.D. 1846".
Model stitched over 2 threads on 40 Ct. Cocoa linen with... Read more
The model was stitched over 2 threads on 35 Ct. Beige linen with Gentle Art Sampler threads, Weeks Dye Works floss and Classic Colorworks floss. Stitch Count: 221W x 261H. Finished size: 12 3/4" x 15".
"Let no revenge inflame our hearts. No anger tease our minds. But let us act a Christian's part, towards God and all Mankind. 1811."
Model stitched over 2 threads on 40 Ct. "Linen" colored linen from Weeks Dye Works, with Gentle Art Sampler threads and Weeks Dye Works floss. Stitch Count: 378W x 434H. Finished size: 19" x 21 3/4".
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