What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Note from the designer: "A beautiful meandering four-sided floral border in an unusually rich color palette surrounds this traditional Scottish sampler, also featuring a beautiful arcaded floral band at the top and a substantial mansion house in the lower register. Trees, tulips and flying birds... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more
Note from the designer: "This Scottish sampler is a riot of brilliant color and intricate motifs, from the Scotsman in his kilt playing a traditional dulcimer (which looks like a butter churn) in the upper left, to an elaborate mansion house fronted by a three dimensional turkeywork lawn in the... Read more
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more
Made in Providence, Rhode Island, this sampler is a superb example of the work done at Miss Mary (Polly) Balch's school, one of the most important female learning institutions in America at that time. Combining sophisticated architectural, landscape and figural motifs with elaborate and unusual... Read more
The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.
It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more
This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.
The verse reads:
Give me O Lord thy early... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.
The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more
The original sampler is a charmer, and can you believe Felicie was only 7? As always, my charts come with a little essay about the antique, and my thoughts about what make the sampler special, in this case, those beautiful, organic borders, the color palette, the airy space contained within, and the... Read more
This sampler is an adaptation from a sampler in my collection. This chart contains the pattern for the scissor fob shown along with all finishing instructions.
Model stitched over two threads on 36 ct Straw from Weeks Dye Works using Weeks Dye Works threads. Stitch count is 204w x 76h. Finished size is 11.33" x 4.22". Finished Size of Pinkeep: 5"w x 3.50"h.
Elis(z)a Mitchell is a reproduction pattern of an antique cross stitch. It was the featured project at the Stitch, Etc. Samplers Throughout Time Retreat in March of 2024. The antique has some embroidery on it that I re-designed into cross stitch. There is also some chain stitching that is very... Read more
Endeavour to Improve Keepsake Box is an original design by Lori Wilson of Thread Milk Design. It compliments the reproduction sampler "Catharine w 1820 - Endeavour to Improve" which is a phrase Catharine chose to include with her original sampler. Finishing instructions are included with... Read more
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
Helen Monro is a reproduction of an original sampler in our collection from Falkirk, Scotland.
"Remember thy creator and redeemer in the days of thy youth while the evil days come not nor the years draw high when thou shalt say I have no pleasure in them."
Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"
The model was stitched over 2 threads on 32 Ct. Summer Khaki linen with Soie d'Alger silks and silk chenille. Stitch Count: 204W x 278H. Finished size: 12 3/4" x 17 3/8" Stitches used: cross stitch, satin stitch, queen stitch, double running stitch, outline stitch, chain stitch, and stitching over one. Stitch diagrams are included.
This sampler is an accurate reproduction of an American Quaker sampler from Montgomery County, Pennsylvania. A small image of the antique and a brief family genealogy are included in the package of this sweet sampler.
Model stitched on 36 ct. Straw by Weeks Dye Works using Needlepoint Inc. thread with DMC substitutions listed. Stitch count is 143 x 132.
Alphabet Medley is stitched as one grand piece with 12 blocks, each featuring alphabet letters surrounded by intricate motifs and symbols.
However, that's not all. As a special bonus, you will also receive a 12-page booklet, with each block charted separately and given its own unique border.... Read more
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Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2021 Natural White
Large Spool - #2024 Bright White
Large Spools - all colors
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
Small Spools - all colors
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