Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 833, 3746, 931, 927, 3810, 524, 834, 832, 400, 3746, 522, 3011, 3363, 760, 3722, 3726, 3042, 3041). Also required, but not listed above 1343 from Soie d'Alger. Stitch Count: 253x264. Design Size on 32 Ct. Fabric: 16" x 17"
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 304, 815, 962, 930, 904, 733, 3821, 677, 728, 613, 3041, 3741). Stitch Count: 255x257. Design Size on 32 Ct. Fabric: 16" x 16"
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 209, 550, 164, 986, 500, 3078, 975, 840, 746, 728, 159, 803, 3865, 355, 3779, 760, 815, 814, 3802, 3774). Also required, but not listed above (2) 1345, 0933 and 4646 from Au Ver a Soie Soie d'Alger. Stitch Count: 237x255
A reproduction sampler from Reflets de Soie, worked all in red, featuring 6 alphabets and "Emerence Van Shembrouck Ostende 1896."
Model stitched on 16 ct. Zweigart linen using DMC and Soie d' Alger thread. Stitch count is 293 x 307.
This design by Reflets de Soie features an alphabet and number sampler with lots of flower. The bottom of the design reads "Marie Soulard Cholet Annee 1896".
Model stitched on 40ct Linen of your choice using Gloriana thread.
Stitch count: 455 x 432.
Note from the designer - "Reproduction of a French sampler dated 1888.
Claudia was 8 years old when she embroidered her sampler. A very elegant monochrome sampler."
Model stitched on 40ct Linen using Soie d'Alger thread.
Stitch Count: 259 x 260.
Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
Note from the designer - This needlework was designed after an English sampler in the collection of the Museum of Fine Arts-Boston. The lush border flowers are similar to those on a sampler made by Sarah Brignell from around the same period, suggesting the existence of a school or teacher whose... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton or silk floss. Stitch count is 181 x 477.
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "As the purpose for making samplers evolved over the decades and the centuries, so did its form. This beautiful early 18th century English band sampler retains the shape of her predecessors, but has clearly changed into a form distinctly recognizable as a product of her... Read more
Note from the designer - "This Quaker sampler came from the vicinity of York, England, where a Quaker school existed at the same time as the more famous Ackworth School, not far from there. The Parnell name is still fairly common in the district, and the family was Quaker.
Linen count and finished size: 35-count 18-3/4" x 24"; or 40 count 16-1/2" x 21"
Note from the designer - This is the most symmetrical, balanced, counted thread sampler that we have ever charted from. It is also one of the most satisfying, challenging, and beautiful samplers in the world. Originally worked on a fine wool ground, the colors of our reproduction have been matched... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
Note from the designer: "This sampler is a fine example of work done by Pennsylvania German girls in the early-to-mid nineteenth century. Similar motifs appear on the show towels that decorated kitchen and bedroom doors in these immigrant German households. It is thought that while the show... Read more
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more
Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."
Note from the designer: "Samplers worked with black backgrounds are unique to New England, and this one is designed after a late 18th century Massachusetts piece. A portly clergyman is depicted strolling between a fashionable lady under a parasol, and a church or meeting -house; with a frisky... Read more
Try as we might, we cannot find another sampler to compare with this one by Sarah Brignell. It is a sampler unto itself: truly an original piece of folk art. The tiny central cartouche with the densely stitched scene floats like a little world unto itself in the midst of the exuberant garden of... Read more
This collection by Teresa Kogut has 3 different designs! Each design features a different gathering of flora and fauna, and uses the same color threads and symbols. "ABC 123" and "Sally Emerson" do not use DMC 435, 611, 822, and 3781.
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