Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more
Note from the designer: "This naive Adam and Eve sampler might have been made in Maryland around 1810. At first I believed that the sampler was either English or Irish, judging by the unusual surname, until, in my research, I came upon the gravestone of a Fanny H. Peachey, born 24 November 1799,... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more
This sampler features two uncommon verses taken from the book Sentences and Maxims Divine, Moral and Historical, in Prose and Instruction of Human Life: and Particularly for the Improvement of Youth in Good Sence and correct English by George Shelley, published in London in 1712.
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
"Jesus permit thy Gracious name to stand as the first effort of an infant hand. And while her fingers on the canvas move, engage her tender thoughts to seek thy love. With thy dear children, let her have a part and write thy name thyself upon her heart."
Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more
Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more
Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more
This is a very finely stitched classic Scottish sampler featuring three complete rows of beautifully illuminated letters, an arcaded floral band as well as other traditional motifs including peacocks, birds drinking at the fountain of life, feather trees and family initials. A four sided berry... Read more
Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more
This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more
The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.
It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.
The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more
The original sampler is a charmer, and can you believe Felicie was only 7? As always, my charts come with a little essay about the antique, and my thoughts about what make the sampler special, in this case, those beautiful, organic borders, the color palette, the airy space contained within, and the... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
This is a revised version of an old design (#113). The original 2015 design has been out of print and I decided to rework it. JABC buttons are included. A cardinal is perched atop a basket of winterberry leaves berries.
Pattern is stitched on Fog Cashel using DMC threads. Stitch count is 80 x 112.
Endeavour to Improve Keepsake Box is an original design by Lori Wilson of Thread Milk Design. It compliments the reproduction sampler "Catharine w 1820 - Endeavour to Improve" which is a phrase Catharine chose to include with her original sampler. Finishing instructions are included with... Read more
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"
The model was stitched over 2 threads on 32 Ct. Summer Khaki linen with Soie d'Alger silks and silk chenille. Stitch Count: 204W x 278H. Finished size: 12 3/4" x 17 3/8" Stitches used: cross stitch, satin stitch, queen stitch, double running stitch, outline stitch, chain stitch, and stitching over one. Stitch diagrams are included.
This sampler is an accurate reproduction of an American Quaker sampler from Montgomery County, Pennsylvania. A small image of the antique and a brief family genealogy are included in the package of this sweet sampler.
Model stitched on 36 ct. Straw by Weeks Dye Works using Needlepoint Inc. thread with DMC substitutions listed. Stitch count is 143 x 132.
Cross stitch pattern from Summer House Stitche Workes. Eliza was just 17 years old when she stitched this sampler. Her sampler, with rustic elegance, features an urn with a three dimensional look. The flowers filling the urn are whimsical, each having their own "personality." Enjoy stitching... Read more
This sampler design by Hello From Liz Mathews features flowers, trees, and "Youth and vigor soon will flee. Blooming beauty lose it's charms. All that's mortal soon will be enclosed in death's cold arms." A second chart combines a collection of the motifs from the large sampler... Read more
This reproduction sampler from Hands To Work features "How many children in the street half naked I behind while I am clothed from head to foot, and sheltered from the cold."
The model was stitched over 2 threads on 40 Ct. Cappuccino from Fiber on a Whim with Classic Colorworks,... Read more
Five antique samplers are included with this collection. Select a fabric and thread of your choice.
Abingdon 1878 Stitch Count: 190W x 158H. Berta Heinen Sampler 1904 Stitch Count: 166W x 171H. The Brkits L Sampler Stitch Count: 195W x 155H. The Greek Key Sampler Stitch Count: 114W x 108H. The Star Sampler Stitch Count: 191W x 139H.
This set of designs by JBW Designs features 5 different antique samplers from 5 different stitchers: Olive Rowley, Helene Schnoor, Edith Isherwood, Ada Padoan, and Monica Marshall.
Five antique samplers are included with this collection. Select a fabric and thread of your choice.
Olive... Read more
Note from the designer: A Collection of Petite Samplers includes five samplers which were stitched from the years 1828 and 1894. The collection includes two small red samplers and another sampler worked in pastels. One of the most interesting samplers is worked in blue and was originally part of... Read more
This reproduction sampler from Jeannette Douglas features "Let the sweet work of prayer and praise employ my youngest breath, thus I'm prepared for longer days or fit for early death. Remember thy creator in the days of thy youth. Ann Perrin finished this sampler in the 14th year of her age... Read more
I am delighted to share this antique with you. It is from 1840 of Dutch origin. The sampler had lots of great motifs and I loved the top rows of crowns and shields, but the composition did not please me, it had large blank spots on it. I saw this piece as more enjoyable in the vertical format as... Read more
Antonia Rosel y Garcia 1886 is a reproduction of an antique Spanish sampler.The Faded model is stitched on 40 ct Antique Lace by Seraphim Hand-dyed Fabrics using one strand of the silks over two linen threads. The Bright is stitched on 36 ct Affogato by Fibers on a Whim using one strand of silk over... Read more
Birds on the Temple is a reproduction of a sweet little antique sampler. While there is a set of initials and a year on the sampler, what really stood out to me was the birds sitting on the temple. I decided to use The Gentle Arts Simply Wool again for this one. It's such a joy to stitch with.... Read more
Elisabeth LeConte, 1786 is a reproduction of an antique sampler I found here in Maryland. This was a teaching piece at the 2023 Sunshine Stitchers Retreat in Florida last spring.
My reproduction is stitched on 40-Count Hawthorne linen from Fiber on a Whim using Needlepoint Silks. The stitch count is 197 Wide by 167 High.
Model stitched over 1 thread on 40 Ct. Straw linen with Gloriana Silks (Jacaranda, Blue Spruce, Blue Spruce Light, Antique Gold Dark, Sand Castles, Toadstool, Jersey Shore) and Soie d'Alger (2632) - or DMC floss (3031, 502, 503, 453, 841, 830, 822, 3859). Stitch Count is 240W x 250H. Finished size is 7.5" x 9".