No clues have been provided by the stitcher as to her name, year of origin, or place where she stitched her sampler. The only clue as to place might be in the lettering she used itself, giving one an indication it was stitched in Ireland. "A slightly surprising source of lettering which became... Read more
Jane Hornibrook completed her sampler in March of 1806. She painstakingly stitched in cross stitch the tenets of the Catholic Faith over one and two threads of finely woven 52 count linen. The lettering for the large letters leads one to determine this to be of Irish origin, based on the Benezet... Read more
An ancestor of the stitcher placed a typewritten note on the back of the framed sampler, dated August 28, 1997. Thomasina Henrietta Jackson (nee Willis) wrote the following: "This sampler was made by Charlotte Keightley, my great aunt by marriage, circa 1840. Her married name at the time was... Read more
Now in a private collection, this sampler was stitched in Lacolle, a southern municipality in Quebec, Canada in 1846 by Emeline Hotchkiss, aged 11. Research reveals an Emeline Hotchkiss was baptized in nearby Laprairie St. Luke's Anglican Church in 1834, around the year our stitcher would have been... Read more
This sampler's appeal was its similarity to Bristol orphanage motifs, bands and alphabets. While clearly not a Bristol school sampler, as it was stitched at Daglingworth School, curiosity leads one to wonder why similar motifs? Daglingworth lies only fifty miles from Bristol, England. It has been... Read more
Several girls named Sarah Welch appear in the historical records born in the year1756, in Devon and Berkshire, England, and so without more information it is hard to say which Sarah stitched this sampler at the age of eight in 1764. History does chronicle what was happening in England at that time:... Read more
A Prequel to the Carter House Sampler, Franklin, Tennessee, The Sampler of Fountain Branch Carter's Mother, For the Battle of Franklin Trust, An Antique Sampler Reproduction.
Pattern is stitched on 36 count Hemingway by Needle and Flax. Stitch Count: 171 stitches wide x 224 stitches high.... Read more
The Antique: Amelia stitched her sampler at the age of seventeen while living at the North Wing, 3 New Orphan House, Ashley Down, Bristol, in 1868. The original sampler's stitched area measures 13.5 inches wide by 15.25 inches high on a cream cotton ground fabric measuring 76 threads to the inch,... Read more
This beautiful sampler was obtained from the collection of Stephen and Carol Huber. The framed antique contained handwritten notes on the genealogy of Sarah which was written on the back in ink on the sealing paper. It contained the lineage of Sarah Hewes, and the names of her children. Extensive... Read more
This sampler was obtained from the M. Finkel and Daughter antique collectors who describe this sampler in their catalog as follows: "Documented Irish samplers are rare, and this one offers strong visual appeal with excellent color and composition. A fine, large alphabet, little house, pots of... Read more
Ireland: Elizabeth Martin, circa 1789, a Mountmellick Irish Quaker Sampler
Guernsey: Julia Rachel De La Mare, 1849, A Guernsey, Channel Island Sampler
Wales: Sarah Williams, Holyhead, Wales 1864
Scotland: Jean Donaldson, 1826, a Scottish Sampler and Anne Phillip, Edinburgh 1818
... Read more
Cross stitch pattern from Dirty Annie's Southern Style featuring a sampler with two sisters and the phrase "Two are better than one....for if they fall, one will pick up the other"!
Model was stitched on 32ct Gray linen from Weeks Dye Works. Due to "one over one" stitching on the wording, this design is not suitable for Aida. Stitch count is 76 x 140.
I love Roses and you can find them scattered throughout this chart. I sure did enjoy designing and stitching this one!
Model was stitched on 32ct "Sand Dollar" laguna linen from Be Stitch Me using floss from Colour and Cotton, Weeks Dye Works, Cottage Garden Threads, Classic Colorworks threads, and The Gentle Art. Stitch count is 190 x 233.
Bessie is grazing in the Bluebells with her little calf while their Shepherdess watches the butterflies. The chart is encircled by a delicate white rose border with a sampler of numbers at the bottom. My friend Maria from Mystic Meadow Creations turned this chart into a lovely project bag but you... Read more
Cross stitch pattern from Samplers And Primitives featuring two patriotic-themed pincushion designs!
Pattern is stitched on 36 count neutral colored linen using DMC, Weeks Dye Works and Classic Colorworks floss. Stitch counts are 87w x 82h and 63w x 62h. Finished sizes are 4.8" x 4.6" and 3.5" x 3.44" on 36 count fabric.
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
The stitching in this beautiful sampler with the sacred hearts includes the name Malvina Roisset and the date 1891. I think Marie Louise Malvina Roisset, who would have been 10 years old in 1891, could very well be the stitcher.
Pattern is stitched on 36ct linen using Caron Impressions. Stitch count is 166 x 172. Finished size is 10" x 10".
Cross stitch pattern from SamBrie Stitches featuring the phrase "If they can get along, why can't we?"
Pattern is stitched on 18 ct Eucalyptus from Fox and Rabbit Aida using Bestitchme Silks, 1 Gloriana, 1 Weeks Dye Works, Accentuate & Wisper threads. Stitch count is 136 X 166. Finished size is 7.56 in wide X 9.22 in high.
Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
Cross stitch pattern from Scarlett House featuring a reproduction sampler chart!
Pattern is stitched on 40 Ct Dusty Road from Seraphim using Classic Colorworks Belle Soie Silk with DMC conversions. Also required but not listed: Classic Colorworks Belle Soie Silk:Tree Trunk. Stitch count is 144 x 136.
Cross stitch pattern from Scarlett House featuring an antique sampler reproduction chart!
Pattern is stitched on 40 ct Saltbush by Fox and Rabbit using Weeks Dye Works and Classic Colorworks threads with DMC conversions. Stitch count is 122 x 126.
Cross stitch pattern from Scarlett House featuring an original sampler of dogs!
Pattern is stitched on 40ct. Baked Clay linen from Fox and Rabbit using Classic Colorworks and Weeks Dye Works threads with DMC conversions. Stitch count is 188 x 109.
Cross stitch pattern from Scarlett House featuring a sampler with the phrase "Jesus permit thy gracious name to stand as the first efforts of a youthful hand and as her fingers o'er the canvass move engage her tender heart to seek thy love with thy dear children may she have a part and write thy... Read more
Cross Stitch pattern from Silver Creek Samplers featuring a campfire with the phrase "Crisp cool air, moonlit night, warm bonfire, stars so bright, dancing flames, ancient lore, embers glowing, make a smore"!
Stitched on 'Hamlet' 18ct Aida by Under the Sea Fabrics, with DMC threads. Stitch count: 73 x 189.
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
Note from the designer - "The design of this piece was inspired by fine examples of early eighteenth century American and English needlework pictures. A picture like this would have been stitched as a painting, with great attention to detail, shading, color, and composition." The design... Read more
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