The original sampler is a charmer, and can you believe Felicie was only 7? As always, my charts come with a little essay about the antique, and my thoughts about what make the sampler special, in this case, those beautiful, organic borders, the color palette, the airy space contained within, and the... Read more about A French Summer Sampler - Cross Stitch Pattern
Reproduced from a teeny-tiny, antique, petit-point picture from Prague (say that 10 times fast!), this charming scene is reminiscent of Delft tiles. The calming colorway and the gentle landscape subject were such a pleasure to stitch and to inspire some moments of rest. I hope stitching it brings... Read more about Over The Stream, By The Mill - Cross Stitch Pattern
Made in Providence, Rhode Island, this sampler is a superb example of the work done at Miss Mary (Polly) Balch's school, one of the most important female learning institutions in America at that time. Combining sophisticated architectural, landscape and figural motifs with elaborate and unusual... Read more about Betsy Davis 1797 - Cross Stitch Pattern
This wonderfully symmetrical English sampler features a pair of silky floating swans and large twin sunflowers, executed in a rich natural palette of color. Birds fly over the tops of three flower-trees in the top third. A sumptuous basket of fruit is stitched between the golden swans, and towering... Read more about Jane Smith 1814 - Cross Stitch Pattern
Note from the designer: We are pleased to present to you two monochrome samplers. Mrta's sampler was stitched in Budapest, Hungary in 1905 and Maggie's in Pretoria, South Africa in 1900. Whilst the girls lived some 7,447 miles apart, they both stitched a primer sampler as part of their education.
... Read more about Needlework From Distant Shores - Cross Stitch Pattern
This booklet from Blackbird Designs features 3 projects.
Stitch Counts and finished sizes:
- Thy Love More Strong - 141w x 178h (7.83" x 9.89")
- On the Alder Bough - 61w x 61h (3.39" x 3.39")
- The Strawberry Jar - 59w x 53h (3.28" x 2.94")
... Read more about Thy Love More Strong - Cross Stitch Pattern
Cross stitch pattern from Little Robin Designs featuring a lovely reproduction sampler!
Pattern is stitched on 40 ct Cream and Sugar from Fiber on a Whim using Weeks Dye Works, Classic Colorworks, and Gentle Arts threads. Stitch count is 169w x 234h.
Note from the designer: Alice Maud Tippett at the young age of 11 years stitched an adorable little sampler using a scrap of Penelope canvas and a beautiful palette of nine colours. The colours harmonise so well!
Alice records on her sampler that she attended St Ervan's Board School. When the... Read more about Alice M Tippett 1894 - Cross Stitch Pattern
Model stitched over 2 threads on 40 Ct. Vintage Meadow Rue by Lakeside Linens with Gentle Art Sampler threads. Stitch Count: 219W x 264H. Some portions of the design are stitched over one thread - design not suitable for Aida.
I am so proud of this book! The culmination of a year of effort, this book includes 5 reproduction sampler graphs and one supplemental project, articles and thoughts about the samplers included and other... Read more about Red Letter Day - Cross Stitch Pattern
Reproduction cross stitch pattern from Hands Across the Sea Samplers! Mary stitched her delightful sampler with cross stitch over two threads of linen and four-sided stitch. The sampler is suitable for needleworkers of all levels of ability and can be stitched on Aida, Linaida or linen.
A cross stitch reproduction sampler featuring lots of small motifs, red roses and a red house.
Model stitched on 46ct Weeks Straw Linen using Au Ver A Soie
Silk 100/3 Silk thread. Stitch count: 252w x 244h and the finished size is 10.96" x 1.04".
Model stitched on 40 ct. Sheep's Straw linen using DMC and Weeks Dye Works thread. Stitch count is 234 x 314. Finished size is approx. 11.7 in wide X 15.7 in high on 40 ct.
Cross stitch pattern from Hello From Liz Mathews featuring a small pink cottage, a floral border, and the text "Martha Padfield aged 12 years / Pink cottage School / Coleford March 17 1852"
The model was stitched using Foxtail Millett by Legacy Linen which is available in 45ct. The comparable colours in Legacy's Linen's range are Victoria Sponge Cake in 30ct, Corn Tassel in 37ct and Sycamore Seedpod in 53/63ct.The model was stitched using Soie 100.3 from Au Ver Soie. We have included below conversions for Soie d'Alger and DMC.
Model stitched on Fox and Rabbit 40 ct. Saltbush linen using Weeks Dye Works, Gentle Art, Classic Colorworks and DMC threads.
Stitch count: 248w x 276h
Reproduction sampler from NeedleWorkPress "Jane Bowen her Sampler aged 13 1837. Remember now thy Creator in the days of thy youth while the evil days come not nor the years draw nigh, when thou shalt say I have no pleasure in them."
Reproduction sampler from NeedleWorkPress - "The greatest blessing of our God, what mortals can explain. He gives the blossom and the bud and gives us timely rain."
Pattern by Plum Street Samplers featuring a colonial house with deer, sheep, flowers, and the words, "Now in my early days, Teach me thy will to know."
Model stitched 1 over 2 on 36 Ct. Vintage Beeswax using DMC floss and Weeks Dye Works. Stitch Count: 215W x 213H and the finished size is 11.94" x 11.83".
Chart suggests 40 ct. linen in the color of your choice. Thread suggestion for both samplers: Soie d'Alger Rouge 946 (6 meters each). Stitch counts are 139 x 100 and 123 x 91.
This design features the text "Vivez longtemps soyez heureux
Bien chers Parents ce sont mes voeux."
A wish from a child to her parents, for long and happy lives. They are surrounded by birds and flowers, while shepherding lambs in the French countryside.
Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more about Elizabeth Sheffield 1784 - Cross Stitch Pattern
Note from the designer - "Eleanor Parr created this amazing and unique sampler some time before 1835. The border of birds encircled by vines and leaves is unprecedented. Fleurs de lys embellish each of the four corners surrounding a central reserve containing a traditional verse, floral sprays... Read more about Eleanor Parr 1816 - Cross Stitch Pattern
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more about M Quertier 1799 - Cross Stitch Pattern
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral... Read more about Rebecca Robinson 1821 - Cross Stitch Pattern
Note from the designer - "At age nine in 1818, Sarah Dutnel created this unusual "tree of life" sampler. A traditional carnation and tulip border in subtle, earthy shades of gold, brown, and cream surrounds the tree. Dogs, deer, birds, stars, potted plants, trees and flowers flank the... Read more about Sarah Dutnel 1818 - Cross Stitch Pattern
A RED BRICK MANSION HOUSE is at the center of this wildly engaging English sampler featuring a small
zoo/conservatory/aviary of flora and fauna as interpreted by an exceptionally talented young
woman of the early nineteenth century. The verse is common enough on nineteenth-century samplers, unlike... Read more about Jane Moore 1820 - Cross Stitch Pattern
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more about Amanda Jewel 1816 - Cross Stitch Pattern
Amelia Boyce's pictorial sampler demonstrates two popular art forms of the early 19th century manifested in the sampler mode: the image of an architectural engraving, and the influence of Berlin patterns in the naturalistic (rather than nave or stylized) floral patterns. A widely mixed floral... Read more about Amelia Boyce 1829 - Cross Stitch Pattern
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more about Ann Harding 1821 - Cross Stitch Pattern
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more about EN 1657 A 17th Century Band Sampler - Cross Stitch Pattern
Note from the designer: "This finely worked sampler features pastoral scenes above and below a lovely verse about friendship. A four-sided honeysuckle border surrounds large baskets of fruits and flowers, a fenced pasture with seven large lazy sheep and an architectural folly in the background.... Read more about Grazing Sheep circa 1810 - Cross Stitch Pattern
All that is known of the sampler are the stitcher's initial - ES. The sampler appears to be English and from around the mid 19th Century.
The model was stitched over 2 threads on 36 Ct. Light Sand linen with Needlepoint Inc Silks (DMC conversions are provided). Stitch Count: 114W x 164H. Finished Size: 5 5/8" x 8 1/8"