Model stitched on 40ct. Ale Linen using Classic Colorworks Belle Soie thread (with DMC conversion provided as an alternative). Stitch count is 202 x 217.
Model stitched on 56 count using Au Ver a Soie 100.3 threads, but you may use whatever count and type of fabric you are comfortable with! Stitch Count: 106W x 116H
Cross stitch pattern from Hands Across the Sea Samplers dated 1882!
Model is stitched using Zweigart based linen that was overdyed to the shade Marbled Khaki by xJuDesigns. The sampler is suitable fro stitching on aida, linen, and linaida. Stitch count is 145 x 105.
19th century reproduction cross stitch pattern from Hands Across The Sea Samplers! The model was stitched on 53/63 count "Sycamore Seedpod" by Legacy Linen, using Au Ver A Soie 100.3 threads. Use the Au Ver A Soie conversion we have provided for 46 or 40 count linen. Use the DMC conversion we have provided for 40 count linen. Stitch count: 589 x 270.
I am so proud of this book! The culmination of a year of effort, this book includes 5 reproduction sampler graphs and one supplemental project, articles and thoughts about the samplers included and other... Read more
This design by The Scarlett House features an alphabet sampler at the top and the text "Fear not little flock, for it is your Father's good pleasure to give you the kingdom" above a manor at the bottom.
Model stitched on 40ct Paperbark by Fox and Rabbit using Belle Soie and Gloriana thread.
Stitch count: 168w x 259h.
A collection of 3 designs sharing a similar schoolgirl theme. Alice Garner was stitched on 40 ct. Confederate Grey, Clara Beacher was stitched on 40 ct. Legacy or any cream linen, and Edith Greyson was stitched on 40 ct. Aztec Red.
Stitch counts:
Alice Garner: 109 x 70
Clara Beacher: 80 x 80
Edith Greyson: 117 x 61.
The model was stitched using Foxtail Millett by Legacy Linen which is available in 45ct. The comparable colours in Legacy's Linen's range are Victoria Sponge Cake in 30ct, Corn Tassel in 37ct and Sycamore Seedpod in 53/63ct.The model was stitched using Soie 100.3 from Au Ver Soie. We have included below conversions for Soie d'Alger and DMC.
Model stitched on Fox and Rabbit 40 ct. Saltbush linen using Weeks Dye Works, Gentle Art, Classic Colorworks and DMC threads.
Stitch count: 248w x 276h
Cross stitch pattern from Modern Folkart Embroidery featuring Mary Wereat, a charming sampler reproduction design from 1783.
Model stitched on your choice of 32ct Linen, although we have included our recommended fabric to match the cover art, using DMC thread.
Stitch count is 132w x 166h.
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 931, 3752, 720, 321, 498, 3051, 3012, 3011, 3047, 676, 372, 801, 434, 224, 315, 778). Stitch Count: 261x302. Finished Size on 32 Ct. fabric: 16" x 19"
Model stitched over 2 threads on fabric of your choice with Au Ver a Soie Soie d'Alger silk floss (or DMC floss 304, 815, 962, 930, 904, 733, 3821, 677, 728, 613, 3041, 3741). Stitch Count: 255x257. Design Size on 32 Ct. Fabric: 16" x 16"
A reproduction sampler from Reflets de Soie, worked all in red, featuring 6 alphabets and "Emerence Van Shembrouck Ostende 1896."
Model stitched on 16 ct. Zweigart linen using DMC and Soie d' Alger thread. Stitch count is 293 x 307.
This design by Reflets de Soie features an alphabet and number sampler with lots of flower. The bottom of the design reads "Marie Soulard Cholet Annee 1896".
Model stitched on 40ct Linen of your choice using Gloriana thread.
Stitch count: 455 x 432.
Note from the designer - "Reproduction of a French sampler dated 1888.
Claudia was 8 years old when she embroidered her sampler. A very elegant monochrome sampler."
Model stitched on 40ct Linen using Soie d'Alger thread.
Stitch Count: 259 x 260.
Cross stitch pattern from Reflets de Soie featuring a beautiful Virgin Mary surrounded by colored motifs.
Pattern is stitched on 40 ct linen using Soie D'Alger silk floss. Stitch count is 312 x 235. Required Au Ver A Soie Soie d'Alger 2928 and 3996 have been discontinued.
Note from the designer - "This sweet English sampler is the first I've ever seen with a border made up of flying cherubs. It also features a "geode" (mosaic) parrot- a distinctively stylized bird that appears on other samplers made in England, New England, and the Netherlands throughout... Read more
Note from the designer - "This design was inspired by an early eighteenth century English picture executed in tent stitch." The designs features a lion, a leopard and a parrot surrounded by bright flowers.
The design is stitched over one thread on 35 Ct. linen. It uses cross stitch,... Read more
This Irish Quaker sampler features an alphabet at the tope, verse, bands, and flowers. The verse reads "Great Almighty God above plant in my heart a fund of love, that I my mercies may adore and bless and praise thee evermore."
Model is stitched on 40 ct linen using either cotton or silk floss. Stitch count is 181 x 477.
Note from the designer - "Typical of so many Scottish samplers, Elizabeth Masterton's features an abundance of initials (likely familial), rows of evergreen trees, peacocks with seven tail feathers, and the now famous mansion house fronted by a pillared fence and gates enclosing sheep. Apart... Read more
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "Few samplers were stitched on this unusual dark green linsey woosey fabric that combines linen and wool to create a dramatic dark background color to highlight brightly colored floss. Most of these samplers were made in the coastal towns of Massachusetts up to New... Read more
Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more
Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more
Note from the designer - "A sophisticated painterly use of perspective distinguishes this pictorial English sampler. An idealized rural scene with a thatched cottage nestled in a fertile valley, with white misted hills rising in the distance, also features a windmill, a flock of sheep,... Read more
Note from the designer - "So many unusual and enigmatic features were left by Ann Carbutt on her sampler, made when she was sixteen years old, very likely in the West Riding of Yorkshire. The surname "Carbutt" is first found in Cheshire after the... Read more
Note from the designer - "This is a very graceful and finely stitched sampler, an unusual combination for the late date. Nine ethereal female figures, like penitents in an Edward Gorey cartoon, march solemnly about the sampler, paying homage to the house. The huge house appears to be welcoming... Read more
Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more
Note from the designer - "This wonderful English sampler has to be an original inspired composition by a very clever young girl with a singular artistic vision! Potbellied cherubs fly trumpeting alongside a doughy, asexual Adam and Eve, beneath whom perch an enormous plumed Bird of Paradise on a... Read more
Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more
Note from the designer - "As the purpose for making samplers evolved over the decades and the centuries, so did its form. This beautiful early 18th century English band sampler retains the shape of her predecessors, but has clearly changed into a form distinctly recognizable as a product of her... Read more
This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more
Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more
Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more
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