Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
Cross stitch pattern from Sambrie Stitches featuring a vintage sampler with the phrase "The Lord is my shepherd I shall not want. He Maketh me lie down in green pastures he leadeth me besides the still waters. Come unto me all ye that labour and are heavy laden and I will give you rest. Prepare... Read more
Cross stitch pattern from Scarlett House featuring an antique reproduction of a sampler from the "Wesleynn School".
Pattern is stitched on 40 ct. linen with Weeks Dye Works and Classic Colorworks floss (includes DMC Conversion). Stitch count is 167 x 162. Finished size is 8.35" x 8.1".
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "At the age of fourteen, Mary Lee stitched this beautiful band sampler with a good assortment of flowers, birds, swans, squirrels, and other traditional motifs. Worked into the center of a band in tight, precise stitches, is the cautionary aphorism "In thy youth... Read more
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.
It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more
This English sampler comes from the collection of the late Mr. and Mrs. Stephen Jarrett, who established Witney Antiques. It was featured in one of their exhibition catalogs in December 1996 titled "All Creatures Great and Small."
The work is extremely fine and accomplished,... Read more
The original sampler is a charmer, and can you believe Felicie was only 7? As always, my charts come with a little essay about the antique, and my thoughts about what make the sampler special, in this case, those beautiful, organic borders, the color palette, the airy space contained within, and the... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
Elsie Glennie Watt is a reproduction of a colorful late 19th century genealogy sampler stitched on Zweigart 40 ct Mushroom/Light Mocha. I love the rainbow of colors that Elsie used in stitching her sampler that is perfect for a springtime stitch! And the border - whether roses or strawberries, what... Read more
"Happy would it be for me, if in the rising bloom of youth, I did devote my life to thee, O thou the God of love and truth."
Jane Freebairn is another colorful Scottish sampler from approximately the same time period. Neither of the girls dated their samplers, but we can tell from... Read more
Hannah Cummins stitched her sampler in Stockton, England in 1828 when she was 9 years old. A photo of the antique sampler is included in the package. "My thoughts before they are my own are to my God distinctly known. He knows the words I mean to speak ere from opning lips they break.
Ada Mary Hornsey of Wellingborough, England stitched her sampler at age 10. "My father, my mother I know I cannot your kindness repay, but I hope that, as older I grow, I shall learn your commands to obey."
The model was stitched over 2 threads on 40 Ct Light Sand linen with Needlepoint Inc Silks. Stitch Count: 184W x 238H. Finished Size: 9 1/8" x 12".
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