Sale On Reproduction Cross Stitch Patterns Page 3

Model stitched on 16 or 14 Ct fabric of your choice using Au Ver A Soie - Soie d'Alger threads (1343 3315). (DMC alternates are 321 814 761 347 155 3746 932 931 895 470 732 3822 677 352 350 153 3734 3743 3042 3052 3863 898 902 310 3865) Stitch count 293x326.

Chart suggests 40 ct. linen in the color of your choice. Thread suggestion for both samplers: Soie d'Alger Rouge 946 (6 meters each). Stitch counts are 139 x 100 and 123 x 91.

This item is embroidered on 40 ct. thread linen in the color of your choice. Stitch count is 163 x 216. Thread suggestion: Soie d'Alger Rouge 946

Model stitched on 16 ct. Zweigart linen using DMC thread. Stitch count is 337 x 230.

Three designs featuring Art Deco roses.

Model stitched on 16 ct. Zweigart using DMC thread. Stitch count is 368 x 265.

Model stitched on 16 ct. linen using Soie d' Alger thread with a DMC equivalent listed as well. Stitch count is 234 x 245.

A reproduction sampler from Reflets de Soie, worked all in red, featuring 6 alphabets and "Emerence Van Shembrouck Ostende 1896."
Model stitched on 16 ct. Zweigart linen using DMC and Soie d' Alger thread. Stitch count is 293 x 307. Finished size is 18.3" x 19.2".

A reproduction sampler from Reflets de Soie with a large house in the center and various motifs surrounding.

Model stitched on 16 count Aida fabric of your choice using Au Ver A Soie threads. Stitch count is 271 x 388. Finished size is 17" x 24.25".

This design by Reflets de Soie features an alphabet and number sampler with lots of flower. The bottom of the design reads "Marie Soulard Cholet Annee 1896".

Model stitched on 40ct Linen of your choice using Gloriana thread. Stitch count: 455 x 432.

This design by Reflets de Soie features an alphabet sampler and several geometric border samplers.

Model stitched on 32ct Vintage Light Examplar Linen by Lakeside Linens, using Soie d'Alger thread. DMC alternative is 902. Stitch count: 188 x 288.

Model stitched on 40 ct. Cream Zweigart linen using Soie d'Alger thread. DMC equivalents also listed. Stitch count is 339 x 387.

Note: Fabric suggestion is listed with a 3 inch border in mind.

Cross stitch pattern from Reflets De Soie featuring a sampler with different vases of flowers.

Pattern is stitched on 40 ct linen using Au Ver a Soie with DMC Conversion. Also required but not listed for Au Ver a Soie option: 95 and 607. Stitch count is 249 x 236.

Cross stitch pattern from Reflets De Soie featuring a sampler!

Pattern is stitched on the fabric of your choice with Soie d'Alger thread with DMC converion. Stitch count is 289 x 257.

This timelessly elegant alphabet sampler takes you on a journey to the heart of the alphabet, where rows of darning stitches mingle with traditional motifs.

Discover the reproduction of a French sampler embroidered by Zephirine in 1876. This classic alphabet book invites you to explore... Read more about Zephirine Hembert 1876 - Cross Stitch Pattern

Cross stitch pattern from SamBrie Stitches featuring a young Jewish girl's story of survival reproduction sampler.

Pattern is stitched on 36 ct Up in the Attic by Fox and Rabbit using The Gentle Arts floss. Stitch count is 145 x 136.

Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.

... Read more about Isa Hunter - Cross Stitch Pattern

Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more about George W. Creighton - Cross Stitch Pattern

Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.

Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.

Note from the designer - "Designed after an early eighteenth century tent stitched picture, this expansive needlework scene depicts many episodes in the life of an affluent English family including its elaborate parterre and gardens, a stately brick and stone house, domestic, exotic and wild... Read more about The Manifesto - Cross Stitch Pattern

Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more about Huswife Circa 1780 - Cross Stitch Pattern

This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more about Eunice Morton 1794 - Cross Stitch Pattern

A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more about Emely C Newman 1831 - Cross Stitch Pattern

Note from the designer - "ANN WHITTAKER created an almost comically theatrical sampler depicting Adam and Eve, angels, pious verses, and elaborate meandering vines beneath dramatic multi-colored draperies and tassels. Hovering over the verse which is framed by large columns, are two angels with... Read more about Ann Whittaker 1790 - Cross Stitch Pattern

Note from the designer - "Abigail Ann was born October 27, 1799, in East Caln, Chester County Pennsylvania. Her parents were Joseph and Ann (Wells) Fleming, the fourth generation of Flemings living in the East Caln area. Abigail Ann attended one of the Quaker schools in Chester County but we are... Read more about Abigail Ann Fleming 1816 - Cross Stitch Pattern

Note from the designer - "This sampler shows a man and a woman beneath an apple tree, reminiscent of Adam and Eve, but in contemporary dress. Possibly of New York origin (the format and background suggest this), this reproduction is stitched on linen with either cotton or silk, with the... Read more about Abigail Gould's Sampler 1796 - Cross Stitch Pattern

Note from the designer - "This sampler was made in St. Albans, Vermont. A naturalistic four-sided floral border surrounds a central reserve with alphabets and a pictorial scene. The house is so distinctive that it is probably a depiction of Amanda's own home. Made under the tutelage of B.... Read more about Amanda Jewel 1816 - Cross Stitch Pattern

Amelia Boyce's pictorial sampler demonstrates two popular art forms of the early 19th century manifested in the sampler mode: the image of an architectural engraving, and the influence of Berlin patterns in the naturalistic (rather than nave or stylized) floral patterns. A widely mixed floral... Read more about Amelia Boyce 1829 - Cross Stitch Pattern

Note from the designer - "Although there has not been the extensive research and study of English Quaker samplers as there has been of their American counterparts, we believe that this sampler was created under the tutelage of a Quaker sewing instructress in England. The fine bleached linen and... Read more about Amelia Pewmer 1782 - Cross Stitch Pattern

Note from the designer - "Samplers depicting children - particularly such large children - are uncommon. Not only the children make this an outstanding sampler, but also the multi-floral border, the charming verse, the scene at the top with its menagerie of creatures, and the beautiful... Read more about Amy Ball 1810 - Cross Stitch Pattern

Note from the designer - "This unusual sampler is probably of Scottish origin. The distinctive French-inspired mansion house and the peacocks are commonly found on Scottish samplers. Adam and Eve are realistically stitched in the Garden, by effectively working two quite simple stitches together:... Read more about Ann Bowden 1811 - Cross Stitch Pattern

Stitch count is 271 x 325.

Note from the designer - "So many unusual and enigmatic features were left by Ann Carbutt on her sampler, made when she was sixteen years old, very likely in the West Riding of Yorkshire. The surname "Carbutt" is first found in Cheshire after the... Read more about Ann Carbutt 1830 - Christian Cross Stitch Pattern

Note from the designer - "A classic Quaker sampler from the Delaware Valley, this sampler demonstrates the style and many of the motifs that make them so easy to identify. The inner oval vine-and-leaf cartouche surrounding the alphabets probably originated at the Westtown School in Chester... Read more about Ann Fleming - Cross Stitch Pattern

Note from the designer - "This very delicate Scottish sampler with its bold color scheme was designed with a four sided stylized honeysuckle border surrounding horizontal rows of illuminated alphabets and double running stitch motifs. The extensive use of double running stitch lends the sampler... Read more about Ann Forrest 1757 - Cross Stitch Pattern

Note from the designer - "This is a beautifully balanced, intensely stitched transitional sampler. Worked originally in brightly colored silk threads on a fine tammy (wool) ground, it features a repeating, four-sided carnation border, surrounding five horizontal bands interspersed by lines of... Read more about Ann Hair 1762 - Cross Stitch Pattern

Note from the designer - "This Dover, Massachusetts, sampler features an unusual border surrounding alphabetical and numerical tests, and a four-line verse often found on early 19th century American samplers. The colors are remarkably well preserved. The maker, Ann Harding (who was actually... Read more about Ann Harding 1821 - Cross Stitch Pattern

In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:

Praise the Lord enthron'd on high
... Read more about Ann Jones 1776 - Cross Stitch Pattern

Note from the designer - "Several band samplers very similar to this one are in the collection of the Victoria & Albert Museum in London as well as in other important collections. This particular sampler came from the collection of The Scarlet Letter, and is now in a private collection. A... Read more about Ann Scutt circa 1675 - Cross Stitch Pattern

Note from the designer - "Elizabeth Eaton finished her sampler on the 21st of July in 1712. She used bold, primary colors suggestive of Scottish influence. The original sampler was stitched with both silk and fine wool threads on linen using cross, eyelet, rice, queen, herringbone, double... Read more about Elizabeth Eaton 1712 - Cross Stitch Pattern

This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more about Dutch Sampler of 1773 - Cross Stitch Pattern

Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:

By this ingenous Maids
may see what by the
needl wrought
may be

... Read more about Elizabeth Hicks 1745 - Cross Stitch Pattern

Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern

Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."

Origin and date:... Read more about Elizabeth Raysor 1834 - Cross Stitch Pattern

This sweet little American sampler features two little houses above alphabets and a short verse:

Would you be wise
Each moment prize

It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more about Fanny M Forister 1828 - Cross Stitch Pattern

Note from the designer: "This sampler was probably made in Rhode Island, a poor sister, perhaps, to the magnificent creations coming out of the girls' schools in Newport, Providence and Bristol at this same period, but bearing some similar "signatures". The squat, long-tailed bird at the... Read more about Freelove Hazard 1792 - Cross Stitch Pattern

Note from the designer: "This American band sampler was originally worked in Lynn, Massachusetts. Hannah Breed is mentioned in Bolton and Coe's authoritative book American Samplers. Rows of lettering are intermixed with a row of sheep and cows, a verse, and floral bands. The verse says:

... Read more about Hannah Breed 1756 - Cross Stitch Pattern

Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern

Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more about A German Sampler Dated 1704 "IES" - Pattern

Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern