Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more
This American sampler was stitched on a loosely woven homespun linen with vegetable-dyed silk threads. Despite its size and simplicity, the design is striking, delicate, and well-balanced. Eunice Morton was born in 1783 in Gorham County, Maine. Sometime in 1809-1810, she married Jesse Harding, and... Read more
A unique four-sided geometric border is the highlight of this American sampler, consisting of nine rows of letters and numerals surrounded by a counted satin stitch sawtooth inner border. The design looks like something that might have inspired the Dutch artist Piet Mondrian. I have not been able... Read more
This is a beautiful sampler from Norwich (Norfolk, United Kingdom), possibly stitched at a school run by one Mrs. Wright or her descendent (hence the initials "MW" below Elizabeth's name in the attribution). A list of teachers in Norwich in 1783 includes Wright, Massey, and Cheetleburgh. The... Read more
Note from the designer - "At the age of fourteen, Mary Lee stitched this beautiful band sampler with a good assortment of flowers, birds, swans, squirrels, and other traditional motifs. Worked into the center of a band in tight, precise stitches, is the cautionary aphorism "In thy youth... Read more
Adapted from an English sampler dated 1783. The original sampler from which this piece was adapted measures 15 1/2" x 12 1/2", and was stitched over one thread of linen on approximately 50-thread-count glazed linen. The house on the left alone, which measures 71 by 62 squares on the graph,... Read more
This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more
Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:
By this ingenous Maids
may see what by the
needl wrought
may be
Note from the designer - "Harrisburg, Pennsylvania. Elisabeth Hoover and one other student of the former Mrs. Galligher of Lancaster are known to have named Mrs. Leah Bratten on their samplers in 1803. The twin Bratten sisters, Leah and Rachel, both married schoolmasters, kept schools with them,... Read more
This is a reproduction of an English sampler that features a four-sided carnation border, centering many intricate organic petit point motifs. The large mansion house dominates the central reserve, standing above an extensive pasture occupied by two very large and cockeyed sheep. These imaginative... Read more
According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more
This English sampler combines embroidered pictorial, alphabetic, and upholstery techniques, becoming in every sense a sampler of Ms. Topham's best work. Bargello work (also known as canvaswork, Irish stitch, flamestitch, or Florentine stitch) appeared on the earliest seventeenth century samplers,... Read more
Note from the designer: "Adapted from a mid eighteenth century English sampler. The combination of several unusual stitch techniques with bold primary colors, makes this sampler outstandingly beautiful and a rewarding project to stitch.
While the majority is done in cross stitch, large... Read more
The Temperance Movement of the early nineteenth century began in the United States prior to 1808. Preachers, most notably John Bartholomew Gough, promulgated a pledge of abstinence from members of his congregation. While temperance efforts have existed as long as spirits have, the movement was not... Read more
Note from the designer: "A gift from the collection of Rosalind and Edwin Miller to the museum. Emma Lerch was born in Northampton County, Pennsylvania, in 1830, and she stitched this sampler in her thirteenth year. It is a very simple work, with a lovely meandering floral border. While perhaps... Read more
Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more
Note from the designer: "Mourning pictures were not an uncommon art form in England and America during the late eighteenth and early nineteenth centuries. Evolving from European commemorative art honoring deceased heroes, mourning pictures were a cherished way to remember loved ones, designed to... Read more
Note from the designer: "The characteristic that readily identifies the origin of this sampler is the distinctive vine and rose border, configured such that a leaf on one side and a rosebud stem on the other give the illusion of a double vine. It is almost always found executed in cross stitch... Read more
Note from the designer: "Who would love this world or prize whats in it
that gives and takes and chops and changes every minute.
This brilliant English traditional band sampler comes from the collection of the Victoria & Albert Museum. Drawing on traditional sampler motifs of the 17th... Read more
Note from the designer: "The figures depicted on this original design were derived from wood block engravings of the 17th, 18th and 19th centuries. The format of the hornbook follows actual examples from the late 18th century. Hornbooks functioned as primers, used to teach young children their... Read more
Note from the designer: "German and Dutch samplers are known for their iconography, especially the symbolic religious motifs. This piece, reproduced from the collection of the Allentown Art Museum in Allentown, Pennsylvania, portrays many of these motifs. Adam and Eve, in particular, are often... Read more
Note from the designer: "This Scottish sampler features many distinguishing characteristics of samplers made in that country, most notably the arcaded pansy band across the top third, the four-sided floral border with double running stitch flourishes, and the famous mansion house. Of this large... Read more
Note from the designer: "Samplers worked with black backgrounds are unique to New England, and this one is designed after a late 18th century Massachusetts piece. A portly clergyman is depicted strolling between a fashionable lady under a parasol, and a church or meeting -house; with a frisky... Read more
The original Scottish antique sampler had never been framed and so it was in excellent condition with the same vibrant, unfaded colors on the front as well as on the back. An unusual, elaborate four-sided undulating floral and leaf border surrounds a central reserve with a brief moral verse. Adam... Read more
The original sampler, made in England in 1848, was stitched with cross, counted satin, petit point, and eyelet stitches on an extremely fine glazed linen of approximately fifty threads per inch.
It is unusual to find such a meticulously and finely stitched sampler at this late date, when... Read more
This is a reproduction of a Quaker sampler made in Chester County, Pennsylvania consisting of alphabets, numerals, ligatures* and lineal patterns executed in a variety of stitches. The uppermost border with the dangling central flower is often seen on American Quaker samplers of this period (see... Read more
This English sampler features a three-sided floral border surrounding thirteen lines of alphabets, neatly cross-stitched in several different lettering styles. Mary Wagstaff was likely born in Huyton, Lancashire in 1809, completing this sampler when she was ten years old. She passed away in... Read more
A sampler from the collection of the Fitzwilliam Museum in Cambridge, England.
Skill and expertise in sampler-making did not necessarily peak in the mid-to-late seventeenth century and then wane during what is often called the "golden age" of English sampler-making. These skills... Read more
This amazing, unprecedented English sampler illustrates so many unique and bold elements of design, stitched in a balanced way inside a four-sided strawberry border. In all my decades of study I've never seen an antique sampler with quite this much bizarre personality.
This is an expansive English sampler with an unusual four-sided leafy branch and floral border, centering a very busy reserve filled with baskets of fruits and flowers, stylized trees and plants, birds, lions rampant, butterflies, rabbits, and stags. A large building/mansion/institution is at the... Read more
Here is a dainty and colorful mid-eighteenth-century English sampler executed entirely in cross and petit point stitches making it a suitable project for any skill level.
A four-sided arcaded border of daisies and dianthus surrounds three pious verses with delicate horizontal floral bands... Read more
Flora and fauna were highly celebrated in nearly all 17th and 18th century pictorial embroideries. Executed entirely in cross or tent (half cross) stitches, the embroidered pictures embellished cushions and furniture and reflected a changing attitude toward domestic comforts, by serving to brighten... Read more
The canvaswork piece from which this bell pull was derived is a book cover, and dates to the first quarter of the 17th century. square tent stitched vignettes, reproduced here in the panels of the bell pull covered the book's spine vertically. It seems appropriate that the allegorical figures of... Read more
Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more
Pattern is stitched on 36 ct Cocoa using Weeks Dye Works, Classic Colorworks and Southern Fried floss. Stitch count is 199 x 201.
Recommended Southern Fried Floss:Bay Leaf and Spiced Cider
Cross stitch pattern from Samplers Not Forgotten featuring a lovely sampler with the phrase "Thou, before whose face the children's angels stand grant me a helpless child the grace that thy angelic band. May watch my ways and guard my bed and minister to me till I in death shall bow my head and... Read more
Delicate and colorful sampler filled with insects, flowers and fruit! Standard DMC colors are used for this pattern. Pattern is shown in easy-to-read full color blocks with symbols. Stitch count is 96 x 99.
Reprint of a previously discontinued pattern. "Tall Oaks" and "Garden" samplers were stitched on 32 Ct. Bay Rum Jobelan. "Cottage" sampler stitched on 32 Ct. Sage Jobelan. All designs use DMC floss. Stitch count for each: 177H x 73W.
If you love California, this pattern is for you! This fun map outline features icons related to the state of California with large cities noted on the map.
Stitched on your choice of fabric with DMC floss. The stitch count is 106 x 126 and the finished size on 32 ct. is 6.63" x 7.88".
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Large Spool - #2600 Dove Grey
Large Spool - #2692 Black
Large Spool - #2024 Bright White
Small Spool - #2600 Dove Grey
Small Spool - #2692 Black
Small Spool - #2021 Natural White
Small Spool - #2024 Bright White
