Reproduction Cross Stitch Patterns Page 14

In the upper register of this finely stitched English sampler there is featured an unusual vignette of Adam and Eve beneath the tree of life (with a menacing black faced serpent) flanked by mirror image brick cottages, followed by a pious verse:

Praise the Lord enthron'd on high
... Read more about Ann Jones 1776 - Cross Stitch Pattern

This is a pleasantly quirky, colorful sampler likely stitched in the north of England judging by some of the Scottish influences in the design. A four sided strawberry border surrounds an alphabet and a pious verse above a geometric pattern band. Below this is a scenic register with trees, birds,... Read more about Elizabeth Cheetham 1824 - Cross Stitch Pattern

This letterndoek (lettering) form of Dutch sampler appears from the late 17th through the early 19th century. It is easy to recognize by its horizontal shape, and beautifully illuminated lettering, interspersed with various symbolic shapes and Biblical motifs. The color scheme used on so many of... Read more about Dutch Sampler of 1773 - Cross Stitch Pattern

Note from the designer - "This beautiful. petite, energetic sampler expressed three fine verses and, at the end, one of the truest "signatures" I've ever read on a piece of needlework:

By this ingenous Maids
may see what by the
needl wrought
may be

... Read more about Elizabeth Hicks 1745 - Cross Stitch Pattern

Note from the designer - "Elizabeth Mansfield finished her sampler in England on 13th June 1792, during the reign of King George III (1760-1820: note the cushioned crown in the upper third, marked on either side by the initials G R for George Rex). The original sampler was stitched on a very... Read more about Elizabeth Mansfield 1792 - Cross Stitch Pattern

According to a note attached to the back of the original sampler, it was probably made near Newtown, Pennsylvania. The attribution at the center is surrounded by a typical Quaker leafy cartouche with opposing flowers and facing birds above. Other characteristic Quaker motifs include eight point... Read more about Elizabeth Mitchell 1828 - Cross Stitch Pattern

Note from the designer: "This band sampler was designed after a piece in the collection of the Fitzwilliam Museum, most remarkable for the colorful, solidly filled geometric and floral sections. It also features double running stitch sections found on Italian embroideries of the sixteenth and... Read more about Elizabeth Pain 1667 - Cross Stitch Pattern

Note from the designer: "A Pennsylvania German sampler that may not be, strictly speaking, a miniature, but is nonetheless small for its type. Typical Pennsylvania German folk culture motifs - birds, trees, hearts, flowers, crowns and stars - adorn it."

Origin and date: Pennsylvania... Read more about Elizabeth Raysor 1834 - Cross Stitch Pattern

Band samplers of the 17th century exhibit the widest range of stitches and techniques. Counted thread stitches on linen were artfully combined with panels of floral, geometric, or figural cut and drawn work- a technique where the background threads of linen are carefully bound, then cut and pulled... Read more about EN 1657 A 17th Century Band Sampler - Cross Stitch Pattern

Note from the designer: "This northern German sampler consists of random symbolic spot motifs, with a simple zigzag border. Religious symbols are commonly found on continental samplers. On this example, we find the wreath carried by angels (the wreath as a symbol for eternal life): the ship... Read more about FAK-MEK 1779 - Cross Stitch Pattern

This sweet little American sampler features two little houses above alphabets and a short verse:

Would you be wise
Each moment prize

It is surrounded on four sides by a double sided satin stitched sawtooth border. Stitches used include cross, outline, stem filling, counted... Read more about Fanny M Forister 1828 - Cross Stitch Pattern

Fanny Hancock's father, Ebenezer Hancock, was cousin to the famous John Hancock. Born in 1785, Fanny sewed her sampler at age 11. She married Nathaniel Parker of Boston in 1803, and died in 1834. The colors on the back side of her sampler retained much of their original brilliance, and are... Read more about Fanny Hancock 1796 - Cross Stitch Pattern

What makes this early Victorian English sampler so intriguing are the wonderfully naive figures of Adam, Eve and St. Michael flanking the Tree of Life. St. Michael's sword is drawn to slay the serpent, but he hardly looks formidable with his large feet and doughy body. Playskool-like Adam and Eve... Read more about Frances Marshall 1838 - Cross Stitch Pattern

Note from the designer: "Hannah Mosher was born March 12th, 1786, in Hollis, New Hampshire, the fourth and last child of Abijah and Hannah Mosher. On March 7, 1813, she married the Rev. Walter Chapin of Woodstock, Vermont. Apart from this sketchy biographical information, found in the History of... Read more about Hannah Mosher 1798 - Cross Stitch Pattern

Note from the designer: "From Dover, Massachusetts, comes Harriot Boardman's sampler, originally worked on a distinctive green linsey-woolsey found only on some North Shore samplers. A three-sided sawtooth border surrounds alphabet and numeral tests with geometric cross bands, two deer with... Read more about Harriet Boardman 1804 - Cross Stitch Pattern

Note from the designer: "A beautiful meandering four-sided floral border in an unusually rich color palette surrounds this traditional Scottish sampler, also featuring a beautiful arcaded floral band at the top and a substantial mansion house in the lower register. Trees, tulips and flying birds... Read more about Helen Vertue 1812 - Cross Stitch Pattern

Note from the designer: "This intricate and involved sampler features many traditional German sampler motifs dating from the sixteenth century including a large parrot, a peacock with silver tips on its wings, the Lamb of God, as well as a depiction of the Crucifixion flanked by Mother Mary and... Read more about A German Sampler Dated 1704 "IES" - Pattern

Displaying the traditional color scheme of Scottish samplers, this beautiful and delicately stitched piece also employs a variety of interesting counted thread stitches including queen, doublerunning, four-sided, back, counted satin filling, cross, Algerian eyelet, and cross over one (petit... Read more about Janet Burnet 1830 - Cross Stitch Pattern

This sampler was made in Scotland and includes many of the traditional motifs associated with samplermaking in this region. Firstly, Janet has included many initials of family members. However the initials at the center- G R 3 -refer to the then-reigning monarch, King George III. The flowering... Read more about Janet Carsels 1787 - Cross Stitch Pattern

Note from the designer: "This small and brilliantly preserved band sampler demonstrates a wide variety of stitches found on many seventeenth century samplers. The beautifully shaded flower heads and leaves are filled in with connecting tiers of trellis stitch."

Finished size on 35... Read more about Judeth Payne 1668 - Cross Stitch Pattern

Rose's unusual middle name should have provided some clues about where she was born, and where she lived, but the name "Shenamon" is elusive despite my efforts to discover its origins as well as hers. It is spelled many different ways when researched (including Shinimon and Schinnamon which... Read more about Rose Shenamon Mitchell 1816 - Cross Stitch Pattern

Agnes Binnie was born in Stirlingshire, Scotland, on March 22, 1808, to Robert Binnie and Mary Addie. She married James Barclay on March 16, 1832, in Falkirk, Stirlingshire. The couple had at least six sons and three daughters. Around 1870 they emigrated to Scotland Township in McDonough, Illinois.... Read more about Agnes Binnie 1824 - Cross Stitch Pattern

This is a reproduction of an English sampler made in Bradford, Yorkshire, that shows distinct influences of Scottish needlework traditions, particularly in the illuminated alphabets. The bold primary colors were reproduced from the front of the original sampler, which retains its amazing... Read more about Sarah Hutchinson 1762 - Cross Stitch Pattern

This design was excerpted from the top of an early nineteenth-century English sampler. It features an unusual and amusing hunting scene with a solo hunter on horseback pursuing a single hapless stag with a pack of ten spotted hounds on its trail.

The verse reads: Give me O Lord thy early... Read more about Mary Randal 1803 - Cross Stitch Pattern

This mid-eighteenth-century Scottish band sampler features many classic seventeenth-century patterns, executed in cross, eyelet, double running, counted satin, back, and queen stitches.

The virtually unfaded color was reproduced from the front of the sampler. Six pattern bands precede... Read more about MS Dated 1752 - Cross Stitch Pattern

Try as we might, we cannot find another sampler to compare with this one by Sarah Brignell. It is a sampler unto itself: truly an original piece of folk art. The tiny central cartouche with the densely stitched scene floats like a little world unto itself in the midst of the exuberant garden of... Read more about Sarah Brignell 1769 - Christian Cross Stitch Pattern

The original sampler is a charmer, and can you believe Felicie was only 7? As always, my charts come with a little essay about the antique, and my thoughts about what make the sampler special, in this case, those beautiful, organic borders, the color palette, the airy space contained within, and the... Read more about A French Summer Sampler - Cross Stitch Pattern

Pattern by Shakespeare's Peddler featuring an antique sampler design with the words "Virtues the chiefelt beauty of the mind. The Noblest ornament of human kind. Virtues our safeguard and our guiding star. That stirs up reason when our senses".

Pattern is stitched on 40 ct. linen... Read more about A Fancy Basket: Ann Kemp 1815 - Cross Stitch Pattern

Pattern by Shakespeare's Peddler featuring a beautiful sampler design inspired by an old painting with lots of personality.

Pattern is stitched on 40 ct. Natural linen with DMC floss. The stitch count is 152 x 94 and the finished size is 7.8" x 4.7".

Note from the designer: This primitive marking sampler just captured my heart. The colors, the tone on tone, the rich patina and the whimsicalness of it. How can a marking sampler be whimsical you ask? Well, just look at the script K, L & M. They seem to be kicking up their heels and skipping along.... Read more about Susan Weeks Marking Sampler - Cross Stitch Pattern

This sampler is an adaptation from a sampler in my collection.

Model stitched on 36 ct Straw from Weeks Dye Works using Weeks Dye Works threads. Stitch count is 298w x 366h. Finished size is 16.56" x 20.33".

Not only do I love the colors Agness used to stitch her sampler but I love how she ran out of room to stitch the date 1844 so she moved the last 4 up to another line.

Pattern is stitched on 28 ct Vintage Sand Dune from Lakeside Linen using Gentle Arts threads. Stitch count is 176 x 238. Finished size is 12.6" x 17".

"Lord give me wisdom to direct my ways I ask not riches nor yet for Length of Drop. From rocks and sands And stormy weather Pray God Protect John Negus for ever". "My dear friends I will Bless and praise for giving me learning in My Early days Catherine Negus her Sampler finished... Read more about Catherine Negus 1810 - Cross Stitch Pattern

I love the simplicity of this little sampler. Eliza was 10 years old when she completed her sampler and beautifully hem stitched the edges.

Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Gentle Arts threads with DMC conversion. Stitch count is 127 x 120. Finished size is 6" x 5.75".

"On the alone my Hope relies Beneath thy cross I fall thou art my life my sacrifice My Savior and My All don 1837". What a stunning English sampler! It was so much fun to stitch with all the motifs and bright colors. Not sure if the swans, bull, or parrot is my favorite... okay, maybe the... Read more about Elizabeth Lamb 1837 - Cross Stitch Pattern

"The best and most beautiful things in the world can not be seen or even touched. They must be felt with the heart" This sampler is done on a beautiful gray linen and stitched I Cross Stitch with threads in pinks, blues, and greens.

Pattern is stitched on 36 ct Pewter from Picture... Read more about Faith 1831 - Cross Stitch Pattern

I think the saying says it all. Change up the color of the flowers to make it your own!

Pattern is stitched on 36 ct Tin Roof from Weeks Dye Works using Weeks Dye Works threads. Stitch count is 70 x 106. Finished size is 3.88" x 5.88".

This is an outstanding sampler with the verse "Jesus permit thy gracious name to stand As the first effort of an infants hand And while her fingers oer the canvas move Engage her tender heart to seek thy love With the dear children may she have a part And write thy name thyself upon her... Read more about Jane Portues 1837 - Cross Stitch Pattern

"Lord what is life tis like a flower That blofsoms and is gone We see it flourish for an hour With all its beauty on". This sampler is dated December 24, 1834. I was told this sampler was a Christmas gift to Louisa's parents. Louisa was 9 years old when she completed this brightly... Read more about Louisa Dodd 1834 - Cross Stitch Pattern

This sampler can either be done in mainly cross stitch (there are a couple of stitches in the alphabet but even those could be done in cross stitch) or have fun playing and fill in with Stem Stitch. I love the look of Stem Stitch, it is kind of like painting with thread. "Lord what is... Read more about Love in the Garden - Cross Stitch Pattern

Maria is a personal favorite. Her design and colors are peaceful and very relaxing to stitch. The floral bands are beautiful.

Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using NPI threads. Stitch count is 324 x 396. Finished size is 16.2" x 19.8".

"Why this in haste sweet boy so soon To go. And leave in tears thy weeping Friends below. Some heavenly voice Dear object of their love calld hence Thy soul to dwell in realms above Scarce hadst thou learnt the good from All to know Nor yet had drank the Bitter cup of woe. When heaven ordaind no... Read more about Mary Ann Crumley 1829 - Cross Stitch Pattern

"Few to good breeding make a just pretence Good breeding is the blossom of good sense. The last result of an accomplished mind. With outward grace the bodys virtue joined". I love the bands and motifs Mary Ann used in this sampler. The colors in this sampler are beautiful... the mix of blue... Read more about Mary Ann Robey 1810 - Cross Stitch Pattern

Mary is a very fun piece to stitch. The floweres and leaves are filled in with Stem Stitch and the basket is stitched in two layers.

Pattern is stitched on 32 ct Vintage Autumn Gold from Lakeside Linens using NPI threads. Stitch count is 105 x 138. Finished size is 6.5" x 8.5".

This sampler was brought to me by Stephanie Jirak of Lincoln University, PA. She is the Great Great Great Granddaughter of Nancy Anne Cassell. The family history is included in the chart.

Pattern is stitched on 28 ct Vintage Buttercream using Gloriana and Classic Colorworks threads. Stitch count is 162 x 152. Finished size is 11.6" x 10.9".

This original design was inspired by many antique samplers.

Pattern is stitched on 36 ct Aspen from Weeks Dye Works using Weeks Dye Works, Gentle Arts, and Classic Colorworks threads. Stitch count is 225 x 211. Finished size is 12.5" x 11.75".

"By this work You may see My parents Love to me". Such a sweet sampler, I love the little verse.

Pattern is stitched on 40 ct Vintage Buttercream from Lakeside Linens using Classic Colorworks, NPI, and Gloriana threads. Stitch count is 298 x 293. Finished size is 15" x 14.8".

A gentle reminder to use your talents even if you don't think they are the very best.

Pattern is stitched on 40 ct linen using Gloriana Silk threads. Stitch count is 322 x 172. Finished size is 16" x 8.5".