Model is stitched on 40 ct. Cafe Au Lait by Zweigart using Classic Colorworks, The Gentle Arts, Weeks Dye Works and DMC floss. Stitch count is 404 x 404.
I just love the way she turned out! Mary is the second sampler in the Samplings in Color, where I take a very simple little sampler and give her a makeover, although the sampler is a reproduction, and the colors are in keeping with the original. She would look great on a neutral linen as well.... Read more
Has it been a year already since this sampler was released as a club piece? It was released in a very muted version, however, my original vision of the sampler was a bit brighter. So now you have the option of both. The title is the brainchild of my friend Lisa Duffin, who is great with coming up... Read more
Caroline College 1823 is a stunning sampler from the collection of Myriam Riley, who also stitched the sampler. I can't tell you how much I love this one. The organic border had me hook line and sinker. I have been a bad influence on Myriam as she now owns a number of samplers.
Mary Fosh 1821 has been an eight month stitch along for the Tudor Rose Sampler Guild, and she has a beautiful palette, and despite being English she looks like American Folk Art to me. She was so enjoyable to stitch, and I am so excited to share her with you.
Cross stitch pattern from Samplers And Primitives featuring a sampler with butterflies!
Pattern is stitched on an aged/stained, "vintage", neutral linen or evenweave using DMC, The Gentle Arts Sampler threads, The Gentle Arts Simply Shaker, Classic Colorworks, Weeks Dye Works,... Read more
Note from designer: Isabella Hunter was born February 16, 1875 in Troon, Ayrshire, Scotland. There was a paper originally attached to the back of the sampler with the written words "Isa(bella) & Ma". This suggests that maybe Isa and her mother worked on this sampler together.
Mary Ann Schoener was born January 15, 1840 in Cumberland County,
Pennsylvania. Her parents were Charles Schoener and Mary Moore who
were married December 11, 1836 at the New Hanover Evangelical Lutheran
Church in New Hanover, Montgomery County, Pennsylvania. Mary Ann was the
second of nine... Read more
The stitching in this beautiful sampler with the sacred hearts includes the name Malvina Roisset and the date 1891. I think Marie Louise Malvina Roisset, who would have been 10 years old in 1891, could very well be the stitcher.
Pattern is stitched on 36ct linen using Caron Impressions. Stitch count is 166 x 172. Finished size is 10" x 10".
Cross stitch pattern from SamBrie Stitches featuring the phrase "If they can get along, why can't we?"
Pattern is stitched on 18 ct Eucalyptus from Fox and Rabbit Aida using Bestitchme Silks, 1 Gloriana, 1 Weeks Dye Works, Accentuate & Wisper threads. Stitch count is 136 X 166. Finished size is 7.56 in wide X 9.22 in high.
Note from designer: George Wishart Creighton was born 22 June 1856 in Philadelphia, Pennsylvania. The words Native American (with emphasis on the capitalization of the N and A) on the sampler refer not to George's lineage but rather to a group of Protestants. We believe that the motif immediately to... Read more
Note from designer: The only part I left off of the reproduction is the section just below the alphabet. This sampler does have a lot of over 1 & eyelets.
Pattern is stitched on 36 ct Baked Clay from Fox and Rabbit using Classic Colorworks and DMC. Stitch Count 140 x 240. Finished size is 7.78 in wide X 13.33 in high.
Cross stitch pattern from Sambrie Stitches featuring a vintage sampler with the phrase "The Lord is my shepherd I shall not want. He Maketh me lie down in green pastures he leadeth me besides the still waters. Come unto me all ye that labour and are heavy laden and I will give you rest. Prepare... Read more
From Diane Jourdan, a traditional Quaker sampler stitched on 34 Ct. Cream Devonshire linen with Vikki Clayton Hand Dyed Fibers (not available in 45 yds of Rouge) or DMC, or Au Ver a Soie. Stitch Count: 196W x 247H. Finished Size is 11.2 in wide X 14.11 in high in 35 ct.
Cross stitch pattern from Scarlett House featuring a reproduction sampler chart!
Pattern is stitched on 40 Ct Dusty Road from Seraphim using Classic Colorworks Belle Soie Silk with DMC conversions. Also required but not listed: Classic Colorworks Belle Soie Silk:Tree Trunk. Stitch count is 144 x 136.
Cross stitch pattern from Scarlett House featuring an antique sampler adaptation chart!
Pattern is stitched on 36 ct Old Stationary linen from Seraphim Hand Dyed Fabric using Classic Colorworks and Gloriana threads with DMC conversions. Stitch count is 191 x 82.
Cross stitch pattern from Scarlett House featuring an antique sampler reproduction chart!
Pattern is stitched on 40 ct Saltbush by Fox and Rabbit using Weeks Dye Works and Classic Colorworks threads with DMC conversions. Stitch count is 122 x 126.
Cross stitch pattern from Scarlett House featuring an original sampler of dogs!
Pattern is stitched on 40ct. Baked Clay linen from Fox and Rabbit using Classic Colorworks and Weeks Dye Works threads with DMC conversions. Stitch count is 188 x 109.
Cross stitch pattern from Scarlett House featuring a sampler with the phrase "Jesus permit thy gracious name to stand as the first efforts of a youthful hand and as her fingers o'er the canvass move engage her tender heart to seek thy love with thy dear children may she have a part and write thy... Read more
Pattern is stitched on 40ct. Vintage Sand Dune from Lakeside Linen using Classic Colorworks and Weeks Dye Works floss. Stitch count is 210 x 148. DMC conversion included
Cross stitch pattern from Scarlett House featuring an sampler alphabet with a nature themed design including a black swan.
Pattern is stitched on 40 ct. Meadow Rue by Lakeside Linen using NPI threads with DMC conversions. Stitch count is 85 x 79. Finished size is 4.25" x 3.95".
Cross stitch pattern from Scarlett House featuring a vintage sampler alphabet with a nature themed design.
Pattern is stitched on 40 ct. Meadow Rue by Lakeside Linen using NPI threads with DMC conversions. Stitch count is 240 x 225. Finished size is 12" x 11.25".
Cross stitch pattern from Scarlett House featuring an antique reproduction of a sampler from the "Wesleynn School".
Pattern is stitched on 40 ct. linen with Weeks Dye Works and Classic Colorworks floss (includes DMC Conversion). Stitch count is 167 x 162. Finished size is 8.35" x 8.1".
Note from the designer - "Acquired in England, one might assume that this classic Quaker motif sampler was made at the Ackworth School in Yorkshire. However the influence of the designs promulgated by the Quaker School needleworkers stretched far beyond the confines of the school's walls. This... Read more
Note from the designer - "Rhode Island samplers were among the first American schoolgirl embroideries to be recognized by serious collectors and textile scholars as a distinctive group with extraordinary visual appeal. The Sheffield sampler is delicately worked with an unusually pleasing... Read more
A derivative 17th-century canvas work picture. The Adam and Eve legend was a more popular theme on samplers after the early eighteenth century so this example is quite unusual. The pair are not often seen on earlier needleworks, even though most illustrated bibles of the sixteenth and seventeenth... Read more
Note from the designer - "In 1779, the Quaker Friends School at Ackworth, Yorkshire, was established for the purpose of educating young people of both sexes, and instilling the values of their Society; equality, simplicity, peace. Girls received nearly the same instruction as boys. Out of this... Read more
Note from the designer - "An intensely stitched and well-planned sampler, this unusual piece probably originated in Pennsylvania. The allegorical figure hovering over the house could represent Liberty. The unconnected border of floating honeysuckle is unique, as well as the little pastoral vignettes in the lower register." Rated for beginners.
Note from the designer - "Mary Bailey stitched this sampler in England and finished it in 1818. It demonstrates an advanced level of skill given the symmetry of the design and its many diverse elements: a red brick mansion house with four chimneys- a sign of wealth in early 19th century England,... Read more
Note from the designer - "This little needlework was likely made as a panel of a "huswif"/aka a "housewife", which was an embroidered, double-sided vertical series of pockets made to hold needleworking supplies. It could be folded up or hung from a peg for swift access to the... Read more